Not for the first time since I moved to this country, I miss ‘refreshments’ being sandwiches/curry puffs/maybe even mee hoon and fried chicken, instead of just silly old wine and crisps :(
Stories are powerful devices. And like all powerful devices they are capable of doing great harm as well as great good. Traditionally published fiction in North America has been predominantly representational fiction. The stories are recreations of known or recognizable elements in our world such as people, animals, plant-life, etc. in an environment be it urban, rural, or “wild”, in some form of interaction that is relational. Science fiction, fantasy and horror may bring in elements that are imagined, or yet to be invented or discovered, etc. However, the narratives are still informed by a world experienced through a human filter, and, often, the introduction of the fantastic can be a way of better understanding the existing workings and relationships with the experiential world of that moment. The best of science fiction and fantasy can cast a kind of bending light. We see the familiar in unfamiliar ways. We see the unfamiliar in familiar ways.
Writing story is the act of inscribing a specific vision. But in inscribing the specific story she’d like to share the writer exerts her control. In doing so she eliminates the possibilities of other inclusions. So writing stories can be, simultaneously, an act of creating as well as an act of exclusion.
How important, then, that published stories come from diverse sources; from the voices, experiences, subjectivities and realities of many rather than from the imagination of dominant white culture. For even as we’ve been enriched and enlightened by tales from Western tradition, stories are also carriers and vectors for ideologies. And the white literary tradition has a long legacy of silencing, erasing, distorting and misinforming."